Inspired by by the groundbreaking work of architects like Zaha Hadid (who designed such stunning sites as the Changsha Meixihu International Culture and Art Centre and whose influence is particularly striking), PEETA went on to formally study sculpture in high school and interior and industrial design at university. Taking as his moniker a childhood nickname, PEETA began to develop his unique graffiti style by bending, stretching, and twisting the letters of his name into unrecognizable new shapes. Such emulation and experimentation, which, in PEETA’s words, “started as a game,” soon grew into an obsession, consuming all of the young artist’s free time. This led to his first work of street art, painted on a wall near his hometown when he was just 13 years old. As a boy, he was fascinated by the art he saw while visiting Spain with his mother, and, in particular, by the graffiti-covered trains that ran between Venice and Trieste.Įager to understand how such works were made, PEETA used his camera to document the train graffiti, and, soon after, decided he’d try to reproduce it himself. “Parallel Realities”: PEETA’s Early Life and Graffiti Art Influencesīorn Manuel di Rita in a small town outside Venice in 1980, PEETA’s creative spark came early. Indeed, such groundbreaking new works by PEETA, the result of his self-described quest to “redesign the volumes” of the surfaces he encounters, are likely to be some of the most bizarre and beautiful pieces of mural art you’ll ever see. Scroll through the PEETA photo gallery and you’ll find it’s practically impossible to pick even a single letter out of this artist’s strange, twisting designs. Fame comes not from a wide-reaching tag, but from showcasing exceptional style, originality, and innovation, legibility be damned.Īmong the contemporary street artists pushing this idea to its limit is PEETA, an Italian multidisciplinary virtuoso whose wild, abstracted graffiti language looks like it might have been stolen from some other dimension. From the “Wild Style” of the late 1970’s and 80’s to the bold, muscular lettering of writers like Revok and Retna, a piece of graffiti art is now celebrated above all for its creator’s unique vision and artistry. Things have changed dramatically in the years since. After all, what would be the point of taking your tag “all-city” if no one could read it? For these graffiti art pioneers, quantity always trumped quality, and legibility was king. The young writers of the 1960’s and 70’s, eager for fame and recognition, worked quick and dirty, scrawling their tags in simple letters on nearly any surface they passed. It does not store any personal data.In the early days of graffiti art, notoriety was prized above all else. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly.
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